改編達文西名畫 諷低頭族滑手機 – 中時電子報
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改編達文西名畫 諷低頭族滑手機
2015年06月07日 04:10
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溫健凱改編名畫《最後的晚餐》創作《最後的打卡》,諷刺社會大眾顧低頭而未察覺槍枝殺戮悄悄逼近。(王瑄琪攝)
善水墨寫實的南華大學視覺媒體藝術系碩士生溫健凱,改編達文西《最後的晚餐》創作《最後的打卡》畫作。畫中大家熱鬧拿著手機和自拍棒關注自己時,不料殺戮已悄悄靠近,極具諷刺性和震撼力的畫作,引發觀展民眾熱烈討論。不少人都有過聚餐時同桌都在滑手機,想搭話卻找不到對象的邊緣感,令人感慨智慧手機滿足現代人窺看與展示欲望時,人性關懷逐漸消沒;捷運殺人事件後,專注「低頭」讓兇手有機可乘的討論浮現,但是這樣的警覺能維持多久?低頭現像衍伸的社會問題觸發溫健凱新的創作模式。
改編達文西名畫 諷低頭族滑手機 - 中時電子報
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改編達文西名畫 諷低頭族滑手機
2015年06月07日 04:10
中國時報
王瑄琪/嘉縣報導
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溫健凱改編名畫《最後的晚餐》創作《最後的打卡》,諷刺社會大眾顧低頭而未察覺槍枝殺戮悄悄逼近。(王瑄琪攝)
善水墨寫實的南華大學視覺媒體藝術系碩士生溫健凱,改編達文西《最後的晚餐》創作《最後的打卡》畫作。畫中大家熱鬧拿著手機和自拍棒關注自己時,不料殺戮已悄悄靠近,極具諷刺性和震撼力的畫作,引發觀展民眾熱烈討論。不少人都有過聚餐時同桌都在滑手機,想搭話卻找不到對象的邊緣感,令人感慨智慧手機滿足現代人窺看與展示欲望時,人性關懷逐漸消沒;捷運殺人事件後,專注「低頭」讓兇手有機可乘的討論浮現,但是這樣的警覺能維持多久?低頭現像衍伸的社會問題觸發溫健凱新的創作模式。
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4日他以「人.慾望」為題,利用後工業社會各種探討慾望的觀點,挑選出物質慾望、精神慾望、偷窺慾望等幾種行為,透過畫筆梳理並解析慾望與人的關係,創作變形、龍魚、漫遊等系列作品,獨特的水墨風格和諷喻手法獲師長好評。開幕展上溫還特別介紹《最後的打卡》說,現代社會便捷所產生的人際疏離和過度消費危機,猶如畫作一片自拍歡樂中,沒有人留意身邊槍手已高舉槍械即將下手;想要開口說話的主角,則因無法融入螢幕環境被邊緣化。「當人們只關心自我和慾望時,一切就是這麼容易被扼殺」,任何時刻都可能是「最後的打卡」。他希望畫作喚起台灣應具的社會關懷,如此才能步向祥和。,